Very late concert report: Tori Amos at Oxegen, 7 July 2007

I just remembered that I have completely forgotten about a concert report! *gasp* Pia, how COULD you!!!

So *ahem* without further ado, I better give you:

Tori Amos, 7 July, Oxegen 2007, Punchestown Racecourse, Co. Kildare

Oxegen is a 2 day festival (used to be called Witnness) held in the lovely Punchestown Racecourse, otherwise known as the Mud Pit (I kid you not, we saw people who had apparently taken mud baths without bothering to undress first. Absolutely EVERYONE was wearing wellies (flowery, funky, boring ones. Mine are from Dunnes, and have tiger stripes. *Grrrrrowl*. I learned a very hard lesson in Marlay Park in June about wellies). Some of the mud bathers seemed to think everyone else liked mud too, and were flinging mud about without a care in the world. No thank you! More on that a bit later.

We had bought the tickets primarily to see Tori, seeing as this was her only Irish date on the American Doll Posse Tour. The lineup was actually pretty impressive for both Saturday and Sunday (we had tickets for Saturday only). We drove up from Dublin, and were only mildly impressed with the parking facilities (any empty field around the course had been propositioned it seemed). It was definitely NOT to the standard that I had seen in Marlay Park for the Peter Gabriel/Crowded House gig (see previous concert report from June). Anyway, it could've been worse. We put on our wellies, and made our way up to the festival ground, taking a massive detour, because the signposts for the main entrance seemed to have gone AWOL. Anyway, met up with the rest of the posse and found a good spot, ie dry, spread our blanket and sat down.

Oxegen had 5-6 stages, some of them inside tents. We had a good view of the Main Stage from our blanket, currently occupied by Avril Lavigne (love your hair, doll). I remember seeing only 2 other bands before we had to go to the Pet Sounds stage to prepare for Tori - Goo Goo Dolls and The Fratellis. Goo Goo Dolls were really good, and it was pretty awesome to hear 80.000 people singing along at the top of their lungs to 'Iris'. You could see yer man the LV (don't know his name) being amazed by that response. The Fratellis were emphatically bad, their rhythm section being literally all over the place. Okay, Toriphiles, time to head for the tent!

We actually saw Badly Drawn Boy as well who was on before Toir, because we figured we'd have to get in there early to get a good spot. I do a fairly good impression of an eel, if I may say so myself, and it helped us get into the 2nd and 3rd rows in front of the stage. Yay! (Later, I read on a Tori tour site that some people had actually been there all day in order to get in front for Tori. Maybe they just weren't very good at being eels. Hmmm..)

Anyway, we waited and waited for Badly Drawn Boy to finish. He started late, due to technical issues, which didn't help, because at the other end of things, he actually kept playing while they were wheeling Tori's Bösendorfer onto the stage, and until they simply unplugged him. Take the hint, dude! It's not that he was bad or anything - based on the audience's reaction to him, I'd expected most of the first 3 rows to leave at the end of his gig, so we could get an even better spot. But, no. They didn't. They went even madder when Tori - sorry - when Pip took to the stage, laying into a vicious rendition of 'Cruel' (complete setlist below, with album info as well).

Oh, and remember the mud bathers described above? Well there was one of them right next to me in the audience, drunk as a skunk, naked to the waist and covered in mud, who was locked in a world of his own together with his maybe-girlfriend, who had her back to the stage the entire time. Towards the end of the gig they left. Thankfully. Don't know what they were doing there in the first place, because they sure weren't
paying ANY attention to the performance!

On that note - back to Tori. The set was relatively short, seeing as this was a festival slot and not a full Tori concert. Pip rocks! For those of you, who don't know who Pip is, see my earlier post with review of the American Doll Posse album, or check out Tori's website - then it will make a bit more sense :) I had sort of hoped for Clyde, because she's the doll I can relate to the most, but hey, at the end of the day, I'm happy just to have seen her at all.

I don't think I will ever tire of 'Cornflake Girl' live, it is simply so infectious. Tori has the same vibe about her that U2 have when playing old songs live - it doesn't seem to ever get boring for them! Which is a really good thing! It means they have a strong connection with us, the audience, and that is part of why I love their music so much - it's not made in a bubble for a bubble. It has heart and soul and blood and sweat and tears.

This is Tori during 'Cornflake Girl':
SETLIST
As Pip:
Cruel (From The Choirgirl Hotel, 1998)
Body And Soul (American Doll Posse, 2007)
Fat Slut (American Doll Posse, 2007)
Bliss (To Venus And Back, 1999)
The Waitress (Under The Pink, 1994)

Interlude: Professional Widow remix (Boys For Pele, 1996)

As Tori:
Big Wheel (American Doll Posse, 2007)
Cornflake Girl (Under The Pink, 1994)
Bouncing Off Clouds (American Doll Posse, 2007)
Code Red (American Doll Posse, 2007)
Precious Things (Little Earthquakes, 1992)